Oil painting Snow covered Vitaly Duhnevich
Updated September 23, 2026
| Lot number | 505 |
| Estimate | 630.00 - 900.00 USD |
| Category | Fine Art & Prints |
| Auction | Winter Landscapes Paintings |
| Date | October 13, 2026 at 9:32 AM EDT |
| Auction house | NoFrame Gallery |
| Location | London |
?Duhn 15 In "Snow Covered", Vitaly Duhnevich envelops the viewer in a dreamlike winter forest where the world is softened under a thick, silent layer of snow. The artist employs a delicate palette of icy blues, silvers, and shadowy violets to evoke the quiet intensity of snowfall. Trees bend and fade into the misty background, their forms blurred by the frost, while the ground glimmers with frozen textures and faint glows of hidden life beneath.This work transcends realism, leaning toward abstraction to convey the essence and emotional atmosphere of a snow-laden forest. The viewer feels the hush of winter, the crystalline cold in the air, and the weight of nature pausing in stillness.Through "Snow Covered", Duhnevich reflects on nature’s power to transform the familiar into the mystical, offering a moment of introspection and awe amid the season’s frozen beauty. *** ABOUT THIS PAINTING *** * TITLE: "Snow covered" * ARTISTS: Vitaly Duhnevich * SIZE: 31x28 cm/'12.20x16.11.02 inches' * MEDIUM: oil, cardboard * HAND PAINTED: Original painting from our collection * CONDITION: we tried to convey the maximum information with the help of photos about this product About the artist: Pr?fessi?n?lly tr?ined ?s ?n ?rchitect, Vitaly Duhnevich is ?n ?rtist wh? uses very unusu?l ?nd c?l?rful techniques t? pr?duce his w?rks ?f ?rt. ?ne ?f the techniques he h?s used since 1995 t? cre?te his ?rtw?rks is the s?-c?lled “degre?sed ?il” techniques. It is b?sed ?n ?n ?lder technique th?t w?s f?rmerly used in e?rly printing meth?ds. Dukhnevich’s w?rk is d?ne ?n thin c?rdb??rd ?r thick p?per ?nd the end result s?mewh?t resembles ? print. The technique is t? thin ?il p?ints n?t with ?il, but t? use ? p?int thinner – hence the “degre?sed ?il” term. This meth?d ?f p?inting m?kes it p?ssible t? c?mbine sever?l different technic?l ?ppr??ches ?nd ?ls? t? use different types ?f m?teri?ls. F?r ex?mple, it is p?ssible t? c?mbine w?terc?l?rs ?nd ?il p?ints, ?nd then t? use them in the s?me piece ?f ?rt. Use ?f this meth?d results in p?rticul?rly unusu?l w?rks. E?ch piece results in ? unique ?nd ?rigin?l piece ?f ?rt, with n? tw? pieces ?like. The techniques ?re ?ls? interesting in th?t it helps t? preserve the ?rigin?l intensity ?f c?l?rs ?nd prevents them fr?m d?rkening ?ver time. Depending ?n wh?t types ?f p?ints were used, his p?intings m?y need three t? twelve h?urs ?f drying time. Mr. Duhnevich lived in Kiev, Ukr?ine.
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