19th & 20th Century Art

Updated September 21, 2026

What's in this auction

262 lots, mostly fine art & prints (5), pottery, china & glass (4), antiques & furniture (2), vehicles & automotive (1). 262 lots have photos. Pre-sale estimates $800–$120,000 across 262 priced lots. Bidding is online through the auction house's catalog.

Highest-estimated lots

• Henri Le Sidaner (1862-1939), L'Isola Bella, Lago Maggiore, 1915. — est. $80,000–$120,000
• Rufino Tamayo (1899-1991), Tres sandías, 1968. — est. $40,000–$60,000
• Charles Burchfield (1893-1967), Poplars in May, 1916. — est. $30,000–$50,000
• Diego Rivera (1886-1957), El tocado de plumas (Danzante de Huejotzingo), 1954. — est. $30,000–$50,000
• Edgar Degas (1834-1917), Danseuse au repos. — est. $25,000–$35,000

From the auction house

Upcoming auction: 19th & 20th Century Art. Full catalog and bidding: view on invaluable .

In this auction (262 lots)

Categories: Fine Art & Prints (5) · Pottery, China & Glass (4) · Antiques & Furniture (2) · Vehicles & Automotive (1) · Jewelry & Watches (1)

• Lot 1 — Armand Guillaumin (1841-1927), Damiette, 1884.
• Lot 2 — Honoré Daumier (1808-1879), Baron Joseph de Podenas (L'Important Malicieux), circa 1833.
• Lot 3 — Edgar Degas (1834-1917), Danseuse au repos.
• Lot 4 — Paul Gauguin (1848-1903), Torse d'une femme, circa 1893.
• Lot 5 — Auguste Rodin (1840-1917), Femme au châle sur les épaules, circa 1896.
• Lot 6 — Auguste Rodin (1840-1917), Deux femmes nues, circa 1900.
• Lot 7 — Auguste Rodin (1840-1917), Assemblage: Femme damnée et Nu féminin agenouillé, circa 1910.
• Lot 8 — Auguste Rodin (1840-1917), La Martyre (petit modèle avec terrasse), circa 1885.
• Lot 9 — Suzanne Valadon (1865-1938), Femme nu allongeé, 1894.
• Lot 10 — Aristide Maillol (1861-1944), Grande femme assise au socle ajoure, 1920.
• Lot 11 — Aristide Maillol (1861-1944), Nu assis de face.
• Lot 12 — Aristide Maillol (1861-1944), Buste de femme, 1898.
• Lot 13 — Aristide Maillol (1861-1944), Petit Torse Cezanne, 1913.
• Lot 14 — Georges d'Espagnat (1870-1950), Jeu de cartes.
• Lot 15 — Pierre Bonnard (1867-1947), Saint-François de Sales, 1942-45.
• Lot 16 — Jules Pascin (1885-1930), Les souers, 1927.
• Lot 17 — Wilhelm Lehmbruck (1881-1919), Stehender weiblicher Akt (Macht), circa 1918.
• Lot 18 — Ernst Ludwig Kirchner (1880-1938), Sich reckender weiblicher Akt, circa 1913.
• Lot 19 — Georg Kolbe (1877-1947), Kriechende, circa 1919-20.
• Lot 20 — George Grosz (1893-1959), Kalte und Warme Getränke, 1912.
• Lot 21 — Egon Schiele (1890-1918), Selbstbildnis, 1917.
• Lot 22 — Otto Dix (1891-1969), Frauenportrat mit Pelz, circa 1928.
• Lot 23 — William Straube (1871-1954), Varieté-Szene (At the Cabaret, Two Dancing Men), 1922.
• Lot 24 — Georg Tappert (1880-1957), Tingel-Tangel-Damen, circa 1925.
• Lot 25 — William Glackens (1870-1938), Pear, Persimmon and Grapes.
• Lot 26 — Robert Henri (1865-1929), Reclining Nude (Hawaiian).
• Lot 27 — Guy Pène du Bois (1884-1958), Sunday Family, 1941.
• Lot 28 — Thomas Hart Benton (1889-1975), The Old Campaigner, 1924.
• Lot 29 — Reginald Marsh (1898-1954), In the Fun House and Two Girls, 1946.
• Lot 30 — Raphael Soyer (1899-1987), Portrait of a Young Woman in Plaid.
• Lot 31 — William Hogarth (1697-1764), A Couple Taking a Walk.
• Lot 32 — Richard Wilson (Attributed), Landscape with a Grove of Trees beside a Lake.
• Lot 33 — Louis-Léopold Boilly (1761-1845), Portrait of Curtis Bolton, circa 1807.
• Lot 34 — James Abbott McNeill Whistler (1834-1903), La Marchande de Moutarde, 1858.
• Lot 35 — James Abbott McNeill Whistler (1834-1903), Limehouse, 1859.
• Lot 36 — James Abbott McNeill Whistler (1834-1903), Soupe à Trois Sous, 1859
• Lot 37 — James Abbott McNeill Whistler (1834-1903), C.L. Drouet Sculpteur, 1859
• Lot 38 — Edward James (1820-1877), Sidewheel Steamship, circa 1850.
• Lot 39 — Edward James (1820-1877), Barque Mary Baker, Capt. Gustavus A. Lane at Bermuda, May 20, 1869.
• Lot 40 — Hercules Brabazon Brabazon (1821-1906), Bleak Landscape.
• Lot 41 — Jean-Baptiste-Camille Corot (1796-1875), Souvenir d'Italie, 1863.
• Lot 42 — Honoré Daumier (1808-1879), Deux têtes.
• Lot 43 — Édouard Louis Dubufe (1819-1883), Portrait d'un frère et d'une sœur, 1857.
• Lot 44 — François Bonvin (1817-1887), Portrait of Alfred Bruyas, 1858.
• Lot 45 — Jean-François Millet (1814-1875), La Grande Bergère, 1862.
• Lot 46 — Camille Pissarro (1830-1903), Paysannes.
• Lot 47 — Camille Pissarro (1830-1903), Marché à la Volaille à Gisors, 1891.
• Lot 48 — Édouard Manet (1832-1883), Olympia, 1867.
• Lot 49 — Camille Pissarro (1830-1903), Paysage tropical.
• Lot 50 — Paul Gauguin (1848-1903), Femme Maorie dans un Paysage de Branches d'Arbres, 1894-95.
• Lot 51 — Paul Gauguin, (1848-1903) Mahana Atua (Le Jour de Dieu), 1894-95.
• Lot 52 — Henri de Toulouse-Lautrec (1864-1901), Homme Lisant, circa 1878-80.
• Lot 53 — Henri de Toulouse-Lautrec (1864-1901), Judic, 1893.
• Lot 54 — Henri de Toulouse-Lautrec (1864-1901), Le Petit Trottin, 1893.
• Lot 55 — Henri de Toulouse-Lautrec (1864-1901), Adieu, 1895-96.
• Lot 56 — Theophile-Alexandre Steinlen (1859-1923), L'Hiver, Chat sur un Coussin, 1909.
• Lot 57 — Théo van Rysselberghe (1862-1926), Boulogne, 1900.
• Lot 58 — Antonio Coppola (1839-1916), Vesuvius About to Erupt and Vesuvius Fully Erupting, 1872.
• Lot 59 — Henrik G. Jespersen (1853-1936), Sunrise, Italian Riviera, 1914.
• Lot 60 — Charles Winter (b. circa 1825), The Witches' Dance in "Tam o'Shanter", 1851.
• Lot 61 — Albert Fitch Bellows (1829-1883), New England Country Scene.
• Lot 62 — Alfred Cornelius Howland (1838-1909), Cows in a Stream, 1866.
• Lot 63 — William Sartain (1843-1924), The Marsh at Nonquitt, Massachusetts, circa 1886.
• Lot 64 — Samuel Colman (1832-1920), Western Landscape with Aspen Trees.
• Lot 65 — George Gardner Symons (1861-1930), Fall Landscape.
• Lot 66 — George Gardner Symons (1861-1930), Winter Landscape.
• Lot 67 — Oliver Ingraham Lay (1845-1890), After the Storm, 1868.
• Lot 68 — Oliver Ingraham Lay (1845-1890), Portrait of Maria Oakey Dewing, 1875.
• Lot 69 — Fidelia Bridges (1834-1923), Forsythia, circa 1910.
• Lot 70 — Fidelia Bridges (1834-1923), Seagull, circa 1910.
• Lot 71 — Mahonri Mackintosh Young (1877-1957), Untitled (Cows in a Landscape), circa 1920.
• Lot 72 — Louis Comfort Tiffany (1848-1933), Study for "Pushing Off the Boat".
• Lot 73 — Bertha Lum (1869-1954), Tanabata, 1913.
• Lot 74 — Violet Oakley (1874-1961), The Seine, Paris.
• Lot 75 — Ethel Mars (1876-1959), Street Scene, Paris, circa 1910.
• Lot 76 — Otto Henry Bacher (1856-1909) Entrance to the Grand Canal, Venice, 1880.
• Lot 77 — Henri Le Sidaner (1862-1939), L'Isola Bella, Lago Maggiore, 1915.
• Lot 78 — Suzanne Valadon (1865-1938), Adèle préparant le tub et Ketty aux bras levés, 1905.
• Lot 79 — Paul César Helleu (1859-1927), Le Col de velours, circa 1910.
• Lot 80 — Manuel Robbe (1872-1936), Le Nouveau morceau de musique, 1903.
• Lot 81 — Manuel Robbe (1872-1936), La Leçon de musique, circa 1902.
• Lot 82 — Pierre Bonnard (1867-1947), Femme a sa toilette.
• Lot 83 — Léon Bonhomme (1870-1924), Two works on paper.
• Lot 84 — Gustav Klimt (1862-1918), Sitzende Frau (Study for "Die Jungfrau"), 1911-12.
• Lot 85 — Abbott Fuller Graves (1859-1936), Flower Blossoms.
• Lot 86 — Whitney Hubbard (1875-1965), Two oil paintings.
• Lot 87 — Anna Mary Richards Brewster (1870-1952), Summer Sunset, 1908.
• Lot 88 — Oscar Anderson (1873-1953), Grand Manan, New Brunswick, 1912.
• Lot 89 — Arthur Bowen Davies (1862-1928), Entrance of Harbor, St. John's, Newfoundland, circa 1911.
• Lot 90 — Arthur Bowen Davies (1862-1928), The Bare Lot, Holland Patent, New York, circa 1911.
• Lot 91 — Whitney Hubbard (1875-1965), Two landscape paintings.
• Lot 92 — Louis Eilshemius (1864-1941), Wooded Path.
• Lot 93 — Louis Eilshemius (1864-1941), Sailing at Sunset, 1919.
• Lot 94 — Paul Sawyier (1865-1917), Shoreline, Brooklyn, circa 1913.
• Lot 95 — Joseph Pennell (1866-1926), Train Yard, St. Louis, 1919.
• Lot 96 — Ernest Lawson (1873-1939), River Landscape.
• Lot 97 — Arthur Bowen Davies (1862-1928), Emerald Lake, Colorado.
• Lot 98 — Hanson Duvall Puthuff (1875-1972), Enchanted Evening – Death Valley, 1910.
• Lot 99 — Allen Tucker (1866-1939), The Bright Valley, 1921.
• Lot 100 — Allen Tucker (1866-1939), Landscape with Cedars, circa 1920.
• Lot 101 — Charles Burchfield (1893-1967), Poplars in May, 1916.
• Lot 102 — Charles Burchfield (1893-1967), A Little Cabin (Statesburg, S.C.), 1918.
• Lot 103 — Charles Burchfield (1893-1967), Dead Pine Branch, 1918.
• Lot 104 — Middleton Manigault (1887-1922), Windswept Forest (Tree Rhythms).
• Lot 105 — Emil Ganso (1895-1941), Sailboats.
• Lot 106 — Allen Tucker (1866-1939), (Untitled) Girl on Stage and Portrait.
• Lot 107 — George Overbury "Pop" Hart (1868-1933), Standing Nude from Behind.
• Lot 108 — Wood Gaylor (1884–1957), Penguin Club, 1917.
• Lot 109 — Adelaide Lawson Gaylor (1889-1986), Chinatown.
• Lot 110 — Simka Simkhovitch (1893-1949), Central Park, circa 1927.
• Lot 111 — Lee Gatch (1902-1968), The Artist's Sister, 1926.
• Lot 112 — Henry Varnum Poor (1887-1970), Russett Apples, 1960.
• Lot 113 — Arthur Bowen Davies (1862-1928), Cupid and Psyche (Amend), circa 1926.
• Lot 114 — Lesser Ury (1861-1931), Paar auf der Bank, 1919.
• Lot 115 — Lovis Corinth (1858-1925), Terrasse, Walchensee, 1922.
• Lot 116 — George Grosz (1893-1959), Zur Arbeit, Paris, 1925.
• Lot 117 — William Giles (1872-1939), Sic Transit Gloria Mundi (Thus Passes the Glory of the World), circa 1925.
• Lot 118 — Joseph Edward Southall (1861-1944), Two watercolors of beach scenes.
• Lot 119 — Dora Carrington (1893-1932), Study of Cows, circa 1912.
• Lot 120 — Dora Carrington (1893-1932), Rocks and Mountains, 1921.
• Lot 121 — Vanessa Bell (1879-1961), Design for St. Michael and All Angels Church, circa 1941.
• Lot 122 — Quentin Bell (1910-1996), Sea Serpent Platter.
• Lot 123 — Stanton Macdonald-Wright (1890-1973), Mikan Ringo & Tomago (Cézanne no Ho Ho), circa 1964.
• Lot 124 — Laura Coombs Hills (1859-1952), Vase of Flowers, circa 1940.
• Lot 125 — George Biddle (1885-1973), Union Square, circa 1930.
• Lot 126 — Minna Wright Citron (1896-1991), Final Adjustments, 1935.
• Lot 127 — Wood Gaylor (1884-1957), Seated Girl in a Blue Dress, 1929.
• Lot 128 — David Burliuk (1882-1967), Portrait of a Woman.
• Lot 129 — Maurice Sterne (1878-1957), Portrait of a Woman in a Green Dress, circa 1930.
• Lot 130 — Maxwell Stewart Simpson (1896-1984), Homage to Isadora Duncan, circa 1936.
• Lot 131 — Paul Cadmus (1904-1999), Sketch for "Venus and Adonis," circa 1936.
• Lot 132 — José Clemente Orozco (1883-1949), Soldaderas, 1928.
• Lot 133 — Diego Rivera (1886-1957), El tocado de plumas (Danzante de Huejotzingo), 1954.
• Lot 134 — Miguel Covarrubias (1904-1957), Head of a Balinese Girl, circa 1930.
• Lot 135 — Georges Rouault (1871-1958), Pierrot, 1935.
• Lot 136 — Albert Gleizes (1881-1953), Untitled.
• Lot 137 — Gino Severini (1883-1966), Les Arlequins, 1954.
• Lot 138 — Henri Matisse (1869-1954), Circé, 1935.
• Lot 139 — André Derain (1880-1954), Conception d'un masque, circa 1940.
• Lot 140 — Camille Bombois (1883-1970), Le Maquereau, circa 1935.
• Lot 141 — Constant Le Breton (1895-1985), Les Rose Pompons.
• Lot 142 — Paul-Émile Pissarro (1884-1972), Pommiers en fleurs, circa 1945.
• Lot 143 — Paul-Émile Pissarro (1884-1972), Le Bourg de Vaucelles, circa 1948.
• Lot 144 — Marcel Dyf (1899-1985), Moisson aux poules en Provence, 1950.
• Lot 145 — Stow Wengenroth (1906-1978), Exploring, 1964.
• Lot 146 — Robert Gwathmey (1903-1988), Cotton Pickers.
• Lot 147 — Alexander Brook (1898-1980), Magnolia Pod, 1947.
• Lot 148 — Paul Cadmus (1904-1999), David (Portrait of David Stewart Hull).
• Lot 149 — Sidney Gross (1921-1969), Portrait of Kay, the Artist's Wife, circa 1945.
• Lot 150 — Wood Gaylor (1884–1957), Seated Woman in Red Dress.
• … and 112 more lots

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